
I've had the first envelope shown above in my collection for a number of years. It is an "Official Business" penalty cover for the Library of Congress Card Division which was mailed by "Hurdis" on June 12, 1944. It was mailed to Brigadier General Charles E. Hurdis via Army Post Office #6 in San Francisco. At the time General Hurdis was serving in the 6th Infantry Division where it was engaged in combat with the Japanese in New Guinea. Hurdis was later promoted to Commanding General of the 6th Infantry Division and ended his career as a Major General. The cover is not in great condition which could be expected for a cover that was received in a combat zone. I had not been able to identify the "Hurdis" who mailed the cover until recently. At the American Philatelic Society's stamp show in Virginia in August 2010 I came across the second envelope shown above. From a philatelic perspective the cover is interesting because it was mailed "Special Delivery" from the Canal Zone and uses a United States 10 cent special delivery stamp in conjunction with two 3 cent Canal Zone stamps. The Canal Zone didn't have its own special delivery stamps. The cover was mailed on May 2, 1942 by Private W. K. Harrison at Fort Amador, C.Z. and was was passed by an Army censor. It was received by the Library of Congress on May 13, 1942. The most interesting thing about the cover for me was that it was addressed to Sara B. Hurdis in the Card Division of the Library of Congress which provided me with the full name of the person who sent the first cover shown. Sara B. Hurdis mailed that cover to her father Brigadier General Charles E. Hurdis. The Card Division was one of the largest and most active divisions of the Library of Congress and Sara Hurdis was one of many who worked at the Library during World War II. What are the chances of acquiring independently two related Library of Congress covers out of the millions of covers that have been sent to and from the Library of Congress?

The heading for this post is taken from a publication of the same name by Lawrence Clark Powell and provides a good introduction to a discussion about miniature books in my collection of librariana. Powell's Make Mine a Small One was first published in The New York Times on Dec. 6, 1964 and was then reprinted by Peacock Press (Berkeley,CA) in 1965 as part of the Peacock Press Miniatures series. Powell's delightful essay is more about the challenges of large books in institutional and private libraries than about miniature books. At the end he writes, "I am prepared to write of my reception of a 1964 coffee table dinosaur. This is how it will read: 'To describe the horror of Lawrence on receiving this loathsome present, is impossible. He put on gloves and overalls before he removed the book from its wrapping lest he be soiled, and he moved closer to the fire so that he could more quickly dispose of it.' Miniature books are usually less than 3 inches tall and some are as small as a thumbnail.

I recently acquired a miniature book by John David Marshall that was formerly in the collection of Norman D. Stevens. It is entitled One Librarian's Credo and it measures two and a half inches tall by two inches wide. It is inscribed "for NDS" from JDM". Fifty copies of this little book were produced for the "friends of John David Marshall". Marshall begins his missive with "At the risk of sounding like a hopeless romantic entirely out of touch with the hi-tech world in which we live, I suggest that librarians need to devote some time and thought to books, just books - the writing, the publishing, the selling, the reviewing, the promotion, the uses, the preservation, the reading of books."

I have one other miniature book in my collection, it is the Remarks of Archibald MacLeish at the Dedication of the Wallace Library, Fitchburg, Massachusetts, June 3rd, 1967. One thousand two hundred and fifty copies of this little book were printed in Haarlem, Holland. It measures just under 3 inches tall and 2 inches wide.
All three of these publications involve special type fonts and printing techniques. Much more about the extensive field of miniature books can be found on the website of the Miniature Book Society and there is an excellent online exhibit of miniature books at the website of the Lilly Library at Indiana University.
I purchased the above illustration of Andrew Carnegie which was on the cover of Vanity Fair in 1903 at the Library History Round Table auction at the recent Library History Seminar XII in Madison. It will make a great addition to my exhibit on Carnegie's Wisconsin Library Legacy. At the bottom of the illustration is the phrase "Free Libraries". Wayne Wiegand donated the framed illustration to the auction. Don't you think Wayne and Carnegie favor each other (see previous post).

After Wayne Wiegand completed his presentation at the recent Library History Seminar XII in Madison, WI, he was presented with his own library trading card by his colleagues as a token of their admiration. Wiegand is considered to be the dean of current library historians in the United States. The trading card which is shown above is supposedly #64 in a set of 100 famous librarian trading cards. The card is accompanied by a list of the 100 famous librarians as selected by by the Wayne Wiegand Library Trading Card Coordinating Committee (Jim Danky, Karen Krueger, Doug Zweizig, and Larry Nix). Using a partially tongue-in-cheek baseball metaphor the back of the card begins "Wayne's first sand lot tryouts with a library team, the Manitowoc (WI) Library Mirros, showed the promise his subsequent career demonstrated." Wiegand is perhaps best known for his biography of Melvil Dewey, Irrepressible Reformer. In his presentations he often mentions that there are more public library outlets than McDonalds restaurants. He is a strong advocate of approaching library history from the viewpoint of the "library in the life of the user" in contrast to the "user in the life of the library". The list of famous librarians includes, among others, Melvil Dewey, Herbert Putnam, Peggy Sullivan, John Cotton Dana, Margaret Monroe, Arna Bontemps, Benjamin Franklin, Lutie Stearns, Fred Glazer, Pope Pius XI, E. J. Josey, S. R. Ranganathan, Augusta Baker, and Callimachus. The Library History Seminar is an assembly of library historians that takes place every five years. This year it was hosted by the Center for the History of Print Culture in Modern America at the University of Wisconsin - Madison which Wiegand helped to found.
You can obtain a copy of the Wiegand trading card and a list of the 100 famous librarians by sending $5 to Larry T. Nix, 3605 Niebler Ln., Middleton, WI 53562. All proceeds from the sale of the cards will go to the Center for the History of Print Culture in Modern America.
Happy 175th birthday on September 5 to early public library administrator Hannah Packard James. As noted in previous blogs I peruse the Dictionary of American Library Biography and its supplements each year to identify key birth dates for notable librarians and library supporters from the past. In doing so I am able to learn about some impressive individuals that have been previously unknown to me. Hannah James is one of those impressive individuals. In 1870, having been trained at the Boston Athenaeum, James became the first director of of the Newton, Massachusetts, Free Library. After a successful tenure at that library, she became director in 1887 of the Osterhout Free Library in Wilkes-Barre, Pennsylvania. She continued in this position until 1902. She was active in the American Library Association and served on the ALA Council and as a vice-president. The article in the Dictionary of American Library Biography was written by Joan M. Costello and Edward G. Holley. Costello and Holley write, "James was one of the early leaders in the movement to establish strong relations between the public library and schools." They also note that James, "took obvious pride in the fact that American women were not bound by precedent and had been able to become directors not only of small, but also of some large libraries, 'commanding the same salary as men in similar positions'." James was a contemporary of Melvil Dewey and lectured in his library school at Columbia. It was Dewey who recommended her for the Wilkes-Barre position. I understand that library historian Bernadette A. Lear, the current Chair of the ALA Library History Round Table, is working on an article about James. I look forward to her perspective on this impressive librarian.


"Andrew Carnegie's Wisconsin Library Legacy - An Exhibit of Memorabilia Featuring Wisconsin's Carnegie Libraries" will be on display at the Middleton Public Library (WI) for the month of September. November 25th will be the 175th anniversary of Carnegie's birth. Sixty Wisconsin communities were the recipients of 63 public library grants from Andrew Carnegie. In addition, two academic institutions also received Carnegie library grants. Fourteen of these Carnegie buildings have been razed, 28 are no longer used as libraries, but 23 are still being used as libraries. Most of those being used as libraries have been expanded and in some cases they are the smaller part of the expanded library. A number of Carnegie buildings have been repurposed as historical museums, and others have become office buildings. Wisconsin has the only Carnegie building serving as a bed and breakfast (Ladysmith). One former Carnegie is now a private residence (Superior, East Branch). For public libraries, Wisconsin communities received a total of $1,045,511. For the two academic libraries it received $104,000. Wisconsin ranked seventh among the states in the number of communities receiving grants for public libraries. A total of 7 grants were received in 1901, the first year that communities in Wisconsin received Carnegie grants. The East Branch of the Superior Public Library was the last Carnegie library constructed in Wisconsin (1917). The exhibit at the Middleton Public Library includes postcards depicting 62 of the 65 Wisconsin Carnegie libraries. The exhibit also includes more than 30 souvenir china pieces along with souvenir spoons and paper weights. The exhibit is sponsored by the Wisconsin Library Heritage Center, a program of the Wisconsin Library Association Foundation. The curator for the exhibit is Larry T. Nix. The Wisconsin Library Heritage Center maintains a section on its website devoted to Wisconsin's Carnegie libraries. This post is also being published in Wisconsin Library Heritage Center blog.

In 2005 DEMCO, the well known library supply company headquartered in Madison, WI, celebrated its centennial. As part of that celebration it published a book entitled Honoring A Century of Service - The Story of Librarians & DEMCO 1905-2005 by Raymond M. Olderman. Far from being a boring corporate history, the book does indeed tell the story of both librarians and DEMCO during this hundred year period. One of the stories in the book is about Norman Bassett who became owner of Demco Library Supplies in 1931 and the free magazine for librarians he created in 1932. The magazine's name Demcourier came from two librarians who won a contest to name the magazine and as a result received $10 each. Initially the focus of the magazine, was on practical information for librarians but it evolved more and more into a literary magazine with each issue devoted to a single literary figure. I recently acquired the Autumn 1939 issue (cover shown above) and it is devoted to Louis Untermeyer. In this issue, Bassett, who edited the magazine, apologetically tells readers that the magazine has become so popular that DEMCO is going to have to limit its distribution to those who purchase at least $10 in library supplies each year from the company and those who pay a subscription fee of 50 cents a year (returned if $10 is spent with the company). Bassett was a model of the best in relationships between library vendors and the library community. He became active in both the Wisconsin Library Association and the American Library Association. In 1932 at the conference of the Wisconsin Library Association he arranged an auction of autographed copies of books to raise funds for scholarships for library school students. As a result a Scholarship Committee (which continues today) was established with Bassett as its chair. During World War II the cost of paper forced the suspension of the magazine in 1943 and its publication was never resumed. This article was published simultaneously in the Wisconsin Library Heritage Center Blog.


As I've noted in a previous post I compiled a philatelic exhibit on the history of the Library of Congress and its use of the mail for StampShow 2010 of the American Philatelic Society in Richmond, VA earlier this month. I received a silver medal for the exhibit which was somewhat below my expectations, but also in my awards packet was a certificate from the Ephemera Society of America expressing its "heartfelt gratitude" for my use of ephemera in the exhibit. My exhibit was entered in the Display Division of the exhibits at the stamp show. This category of exhibits allows the use of non-philatelic items as well as traditional philatelic items such as postage stamps and envelopes. The use of non-philatelic ephemera in a philatelic exhibit helps enrich the story told in the exhibit and also makes it more interesting to the viewer. Of course both postage stamps and envelopes are ephemeral in nature themselves. Library ephemera like other ephemera consists of items that are primarily intended for short term use. These items often help paint a picture of society and its institutions, including libraries, that is more realistic than more substantial and long lasting artifacts. One of the pages on the blog BiblioBuffet has a nice explanation of ephemera and what it includes. I've developed pages on my Library History Buff website featuring the following types of library ephemera: bookmarks, library cards, envelopes, postcards, postal cards, trade cards, and stock certificates. Bookplates are more long lasting but are somewhat ephemeral. One of my favorite blogs related to ephemera is Bibliophemera.

Membership libraries which required the purchase of stock or payment of a subscription fee preceded free public libraries. Library stock certificates for these libraries are very collectible items. Ronald Rayman in an article entitled "Taking Stock: Financing Libraries in the 19th Century in the November 15, 1982 issue of Library Journal discussed these stock certificates. He indicated that library related stock certificates were uncommon, and that a dealer in stock certificates had indicated that only about one certificate in 10,000 might be a library issue. The collecting of stock certificates is part of a hobby called "scripophily". The Mercantile Library Company of Philadelphia was founded in 1821under the name "Philadelphia Library Association". It started out as a subscription library but started issuing stock in 1826. The Library was quite prominent for a period but faded in the twentieth century. It eventually became part of the Free Library of Philadelphia and operated as a branch library for the business community. The branch closed in the late 1970s. Many of its former books can be found in the used book and rare book market. This stock certificate is dated May 21, 1864 and has a revenue stamp affixed. Revenue stamps were introduced during the Civil War to help pay for the war. More library stock certificates can be seen HERE.
A good chunk of my time for the last several weeks has been putting together a 10 frame (160 page) philatelic exhibit on the Library of Congress and its mail which I call "America's Library - The Library of Congress". The exhibit will be displayed at the American Philatelic Society's StampShow 2010 in Richmond, Virginia on August 12-15. This is the largest stamp show in the United States. I've been exhibiting various aspects of my postal librariana collection at national level stamp shows since 2003. My most recent exhibits have been a ten frame exhibit entitled "America's Public Libraries and Their Forerunners", a six frame exhibit entitled "America's Presidential Libraries and Museums", a four frame exhibit entitled "America's Libraries - The Stamp", and a three frame exhibit entitled "America's Philatelic Libraries and Museums". I've been planning the Library of Congress exhibit for some time and this year I finally got around to doing it. The exhibit begins with a "Historical Overview", continues with "Library Mail", moves on to "Copyright and the Library of Congress", continues with "Library Services", then comes "Library Collections", followed by the "1982 Stamp", and concludes with "Bicentennial Celebration". There are close to 300 postal and other paper artifacts in the exhibit ranging from an 1814 postal wrapper with a notation "particulars of burning of Washington by British" to souvenir first day covers from the Library's bicentennial. From both a library history and postal history perspective the most meaningful aspect of the exhibit are the large number of examples of outgoing and incoming library mail over the history of the Library especially after 1870. One interesting aspect of incoming Library of Congress mail after 1901 is the required date stamping of all mail. A Mail & Delivery Division sorted and delivered all mail. At one point there were as many as five deliveries a day. Some examples of the date received hand stamps are shown above. If you're in the Richmond area later this week, drop in and take a look.